Sunah Choi
Artist Sunah Choi Sunah Choi is interested in processes of abstraction as applied to concrete moments in time, places, and phenomena.
Her sculptures, installations, and photographs probe the substance and formal structure of objects. By resolving observations into compositions and arrangements or condensing them in sculptures, she explores the aesthetic quality of selected aspects of nature and vernacular culture. Choi received Hannah-Höch-Förderpreis 2018, an award given out by the State of Berlin to a rising female artist in recognition of her growing oeuvre’s outstanding quality. This book, which contains three multipage inserts, presents a richly illustrated survey of Choi’s work of the past ten years, accompanied by a conversation between Sunah Choi, Thomas Bayrle Thomas Bayrle, and Markus Weisbeck. Markus Weisbeck With essays by Sabeth Buchmann and Andreas Schlaegel.

DIE NEUE ALTSTADT
The graphic concept of this publication, has been conceived in relation to the architectural and urban design principles of the Neue Altstadt. Typography and the editorial design reflect the structure of houses of different widths, narrow streets and small squares into the language of book design, as well as the juxtaposition of reconstructed houses and new buildings. In addition, the Neue Altstadt typeface developed for this purpose, cites the graphic language of Ernst May’s Journal: “Das Neue Frankfurt” from 1926 to 1931.

Egon Schiele
This publication thus focuses on crucial aspects of Schiele’s intellectual world, going beyond grouping his works by their motifs alone. It addresses questions of identity, Schiele‘s understanding of his role as a artist, and his thoughts on processes of perception, in which the influence of Japanese coloured woodcuts – hitherto unresearched – played a key role. An individual typeface was designed especially for this purpose.

German Design Award 2021
Analogue produced movements form the basis for the corporate design of the German Design Award 2021. In model-like set-ups, the movements were filmed in extreme slow-motion and subsequently combined with digital graphics. The grid as a graphic element underlines the idea of physical experiments. The award ceremony was produced under C19 conditions in a studio designed for this purpose.

Schiefelbein Bauplastiken
Research Project
Two models by Prof. Hubert Schiefelbein were staged in space in an endless mirror room and photographed in different perspectives. Afterwards circles were cut out of the photo originals. Through the mirror space the sculptures regain their original seriality. Universität Weimar

Sondermarken
Different designs of special stamps for the Federal Ministry of Finance 2018 – 2020. A commemorative stamp is a postage stamp, often issued on a significant date such as an anniversary, to honor or commemorate a place, event, person, or object. The subject of the commemorative stamp is usually spelled out in print, unlike definitive stamps which normally depict the subject along with the denomination and country name only.

Hotel Silber
also known as the Hotel Silber Place of Remembrance or Learning and Memorial Hotel Silber, is a permanent exhibition about the political persecution by the police from 1928 to 1984 in the Hotel Silber, as well as about the persecution and deportation of the Sinti and Roma and the persecution of homosexuals by the police during the Nazi era in the hospital courtyard. The exhibition Police, Gestapo and Persecution is located in the Hotel Silber in Stuttgart. Exhibition design with Studio Wandel Lorch

Wilhelm Sasnal. Night Day Night
Carina Plath, Westfälischer Kunstverein, Münster; Beatrix Ruf, Kunsthalle Zürich (Hg.), Texte von Carina Plath, Beatrix Ruf, Ulrich Loock, Wilhelm Sasnal im Interview mit Andrzej Przywara (dt./engl.), 153 S. mit 86 farb. und 29 s/w Abb., Hatje Cantz Verlag

The Hospitality of Presence
Daniel Birnbaum’s The Hospitality of Presence is a study of the concept of otherness in Edmund Husserl’s phenomenology. In the late 1990s it gained international attention in academic circles. It was reviewed favorably in specialized philosophy journals such as Review of Metaphysics and quoted extensively, most notably by Paul Ricoeur in one of the legendary French thinker’s last books. It has long been out of print. The Danish artist Olafur Eliasson has produced a special project for this new edition.

Städelschule Architecture Class
2020
Based on the abbreviation of the institutional name, Städelschule Architecure Class, the new brand focuses on the modified alphabetical character SAC. Following this abstraction again, the single letters form a graphical construction as image frames from Schmott photographers. These constructs are based on divisions as the principle of a specific area which is required for positioning the pragmatic information more playful.

Seepage
This book gathers together a compilation of texts authored by Raqs Media Collective 2010 (Monica Narula, Jeebesh Bagchi, and Shuddhabrata Sengupta). Raqs has been variously described as artists, media practitioners, curators, researchers, editors, and catalysts of cultural processes.

Mario Pfeifer
The new monograph on Mario Pfeifer’s work in film and video. This bilingual (DE/EN) and internationally distributed publication follows Pfeifer‘s first comprehensive solo exhibition in Canada / North America at The Power Plant, Toronto.The Power Plant The exhibition was curated by Director Gaëtane Verna with the assistance of Nabila Abdel Nabi. The publication includes essays by Georg Imdahl on the artist’s socio-political investigations and Nomaduma Rosa Masilela on Pfeifer’s first live performance work. A conversation between Pfeifer and Canadian artist Stan Douglas weaves through the historical and contemporary issues of image production, music, pop culture and politics of the now.