ZOOM
With a new location and a new identity opens with a new concept in Fechenheim. Equipped with the latest technical acoustics, standards are set here for live and club concerts. A separate bar area is used for smaller concerts and readings. The design is based on the graphic elements as variants of as many different arrangements as possible. The transparency accompanies the entire communication.

INS FREIE FESTIVAL
As a visual homage composed with graphic elements of the wall design developed in 1977 by the Frankfurt designer Wolfgang Schmidt (1929 – 1995) for the Orangerie* restaurant in Darmstadt. *by Jourdan & Müller • PAS. The festival design is regarded as a homage and, through the massive poster advertising, also as a monument to a forgotten artistic position.

German Design Award 2022
Digital campaign in collaboration with Oliver Hardt
Inspired by the work of the visionary designer and design theorist Horst Rittel, who coined the term “Wicked Problems” together with Melvin Webber in the 1970s, respect is paid to the processuality and mode of action of design thinking and the resulting performance of design.

Städelschule Architecture Class
2020
Based on the abbreviation of the institutional name, Städelschule Architecure Class, the new brand focuses on the modified alphabetical character SAC. Following this abstraction again, the single letters form a graphical construction as image frames from Schmott photographers. These constructs are based on divisions as the principle of a specific area which is required for positioning the pragmatic information more playful.

The Capital of Desires
Corporate Design, Book Design
The key visual for the pavilion of Republic of Armenia at the 14th International Architecture Exhibition in Venice is based on a selection of hand drawn Armenian architecture.

The Forsythe Company
Campaign 2008/2009
The 2008/2009 campaign for the Forsythe Company displays black + white photography with abstract spaces that, due to their transference, emphasize the dynamics of the figure. The graphic composition integrates the typography in the areas with color and photography.

Massimo Vignelli 90
A Poster Exhibition to celebrate 90 years of Massimo Vignelli’s influence. The exhibition aims to create a reflection on the relevance of his legacy, as it was stated in his Canon. It is an invitation to think about him addressed in a different way, by using image and typography applied to a poster. Designers from all over the world are invited to express their vision of Massimo.

Gridless Notations
Diagrams explain the important themes for designers: „looking at ideas“, „taste classified“ and „What you have to say“ as the basis of creative output.

Sondermarken
Different designs of special stamps for the Federal Ministry of Finance 2018 – 2020. A commemorative stamp is a postage stamp, often issued on a significant date such as an anniversary, to honor or commemorate a place, event, person, or object. The subject of the commemorative stamp is usually spelled out in print, unlike definitive stamps which normally depict the subject along with the denomination and country name only.

Bungalow
The title design of the film production “Bungalow” for ARTE/HR is based on the design idea of Armin Hoffmann’s methodical exercises for graphic arts classes at the arts and crafts department of the Allgemeine Gewerbeschule Basel. These kinetic movements mask the start and end sequences of Stefanie Appel’s film as a composition with the typographic elements.

Miriam Cahn
Released on the occasion of Miriam Cahn’s solo exhibitions at The Power Plant Contemporary Art Gallery, Toronto, and Kunsthal Charlottenborg, Copenhagen, this publication gives a comprehensive overview of the acclaimed Swiss artist’s extensive and versatile body of work. Ed. The Power Plant Contemporary Art Gallery, Toronto, Gaëtane Verna, text(s) by Amin Alsaden, Henriette Bretton-Meyer, Miriam Cahn, Aruna D’Souza, Roxane Gay, Gaëtane Verna, John Yau

documenta. Politik und Kunst
The “d” is documenta’s distinctive mark and the defining element of the communication media for the DHM exhibition documenta. Politics and Art. The geometrically constructed letter takes up the history of graphic images — from the first documenta in 1955 to documenta X in 1997. Historical photographs of the major international exhibition are used, which are given a common identifying mark in the form of the “d”. The resulting surfaces are overprinted with colours that also go back to historical originals. The form and colours pay tribute to the visual diversity of the graphic design of the international exhibition. A typographic element with the correct counting of the respective exhibitions is introduced as a supplement.

Reichsrat von Buhl
Rearrangement of the von Buhl brand.
Different representations of the heraldic animal with a revision of a Franz von Stuck design from 1917 as well as a new orientation of the Manufaktur wines by means of newly revised renaissance print graphics.

herbert.gd
This platform represents the Graphic Design Division Herbert.gd of the Visual Communications Department at Bauhaus-Universität Weimar. Named after our patron saint Herbert Bayer, we continue the creative legacy and transformative ideas of the traditional Bauhaus movement. Designed by Moritz Ebeling