The Hospitality of Presence
Daniel Birnbaum’s The Hospitality of Presence is a study of the concept of otherness in Edmund Husserl’s phenomenology. In the late 1990s it gained international attention in academic circles. It was reviewed favorably in specialized philosophy journals such as Review of Metaphysics and quoted extensively, most notably by Paul Ricoeur in one of the legendary French thinker’s last books. It has long been out of print. The Danish artist Olafur Eliasson has produced a special project for this new edition.

Mario Pfeifer
The new monograph on Mario Pfeifer’s work in film and video. This bilingual (DE/EN) and internationally distributed publication follows Pfeifer‘s first comprehensive solo exhibition in Canada / North America at The Power Plant, Toronto.The Power Plant The exhibition was curated by Director Gaëtane Verna with the assistance of Nabila Abdel Nabi. The publication includes essays by Georg Imdahl on the artist’s socio-political investigations and Nomaduma Rosa Masilela on Pfeifer’s first live performance work. A conversation between Pfeifer and Canadian artist Stan Douglas weaves through the historical and contemporary issues of image production, music, pop culture and politics of the now.

Sunah Choi
Artist Sunah Choi Sunah Choi is interested in processes of abstraction as applied to concrete moments in time, places, and phenomena.
Her sculptures, installations, and photographs probe the substance and formal structure of objects. By resolving observations into compositions and arrangements or condensing them in sculptures, she explores the aesthetic quality of selected aspects of nature and vernacular culture. Choi received Hannah-Höch-Förderpreis 2018, an award given out by the State of Berlin to a rising female artist in recognition of her growing oeuvre’s outstanding quality. This book, which contains three multipage inserts, presents a richly illustrated survey of Choi’s work of the past ten years, accompanied by a conversation between Sunah Choi, Thomas Bayrle Thomas Bayrle, and Markus Weisbeck. Markus Weisbeck With essays by Sabeth Buchmann and Andreas Schlaegel.

Bungalow
The title design of the film production “Bungalow” for ARTE/HR is based on the design idea of Armin Hoffmann’s methodical exercises for graphic arts classes at the arts and crafts department of the Allgemeine Gewerbeschule Basel. These kinetic movements mask the start and end sequences of Stefanie Appel’s film as a composition with the typographic elements.

Sondermarken
Different designs of special stamps for the Federal Ministry of Finance 2018 – 2020. A commemorative stamp is a postage stamp, often issued on a significant date such as an anniversary, to honor or commemorate a place, event, person, or object. The subject of the commemorative stamp is usually spelled out in print, unlike definitive stamps which normally depict the subject along with the denomination and country name only.

Gridless Notations
Diagrams explain the important themes for designers: „looking at ideas“, „taste classified“ and „What you have to say“ as the basis of creative output.

Wilhelm Sasnal. Night Day Night
Carina Plath, Westfälischer Kunstverein, Münster; Beatrix Ruf, Kunsthalle Zürich (Hg.), Texte von Carina Plath, Beatrix Ruf, Ulrich Loock, Wilhelm Sasnal im Interview mit Andrzej Przywara (dt./engl.), 153 S. mit 86 farb. und 29 s/w Abb., Hatje Cantz Verlag

German Design Award 2022
Digital campaign in collaboration with Oliver Hardt
Inspired by the work of the visionary designer and design theorist Horst Rittel, who coined the term “Wicked Problems” together with Melvin Webber in the 1970s, respect is paid to the processuality and mode of action of design thinking and the resulting performance of design.

documenta. Politik und Kunst
The “d” is documenta’s distinctive mark and the defining element of the communication media for the DHM exhibition documenta. Politics and Art. The geometrically constructed letter takes up the history of graphic images — from the first documenta in 1955 to documenta X in 1997. Historical photographs of the major international exhibition are used, which are given a common identifying mark in the form of the “d”. The resulting surfaces are overprinted with colours that also go back to historical originals. The form and colours pay tribute to the visual diversity of the graphic design of the international exhibition. A typographic element with the correct counting of the respective exhibitions is introduced as a supplement.

Städelschule Architecture Class
2020
Based on the abbreviation of the institutional name, Städelschule Architecure Class, the new brand focuses on the modified alphabetical character SAC. Following this abstraction again, the single letters form a graphical construction as image frames from Schmott photographers. These constructs are based on divisions as the principle of a specific area which is required for positioning the pragmatic information more playful.